You're Not Wrong, by Saux

You're Not Wrong

by Saux

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	1.	You're Not Wrong 03:10	lyrics	buy track
	Truth will come around Am I performing here? And I'm not wrong Not at all Conscious of a crowd Fearlessly failed trying And they're not wrong Not at all You keep telling me it's time to move You keep waiting for me to prove We speak, we speak You keep telling me all these things are true I keep Stupid and profound Too much attention here it's a metaphor For life, as show Truth will come around am I performing here? You're not wrong Not at all You keep telling me it's time to move You keep waiting for me to prove We speak, we speak You keep telling me all these things are true I keep I keep waiting for you to soothe When we sleep, we sleep We feel certain of all of the things that we do

about

Hot on the heels of his laid-back, funk-oozing single ’Night Is All There Is’, Amsterdam-based songwriter Saux, who's also one half of ‘fuzzy R&B’ duo City Park, returns to Boogie Angst this summer with ‘You’re Not Wrong’. A next step in the sound that's coming from the producer-singer, it's a sweeping and catchy tune envisioning in-limbo places and moments.

Bathed in a cinematic scenario of sorts, ‘You’re Not Wrong’ merges the upliftingness of disco and 80s indie and quiet storm, custom-cut to harbour Saux’s brittle vocals and feels-conducting guitar riffs. The result is a lavishly seductive song, full with woozy pads, subtly inlaid organ chords and a drum groove sure to resonate.

Saux, on the song at hand: '’You're Not Wrong' plays around with the idea of 'being-as-playing-a-role'. The lively belief there's always an unseen audience present, captured in lyrics like 'Am I performing here?' and 'Too much attention here'. It's an emotion I strongly relate to personally and found well-explained in an essay by Jia Tolentino”. And: “Musically the song's foundations are a mix of my influences ranging from 80s disco and new wave to more recent acts like Tennis or Francis & The Lights. The song leans on a Farfisa pad, a guitar riff and a uptempo triplet groove."

credits

released July 31, 2020

Written by Jurian van der Hoeven
Vocals by Jurian van der Hoeven
Backing Vocals by Donna Arendse, Thomas Theodore and Sjaak Thissen
All instruments and production by Jurian van der Hoeven for Saux
Published by Jalapeno Music Publishing

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